{"id":5821,"date":"2026-09-14T09:11:00","date_gmt":"2026-09-14T07:11:00","guid":{"rendered":"https:\/\/draskovicovkastiel.sk\/?p=5821"},"modified":"2026-09-14T09:15:57","modified_gmt":"2026-09-14T07:15:57","slug":"restaurovanie-portretu-z-pozostalosti-ludovita-jesenskeho","status":"publish","type":"post","link":"https:\/\/draskovicovkastiel.sk\/en\/restaurovanie-portretu-z-pozostalosti-ludovita-jesenskeho\/","title":{"rendered":"Re\u0161taurovanie portr\u00e9tu z pozostalosti \u013dudov\u00edta Jesensk\u00e9ho"},"content":{"rendered":"

\u010eal\u0161ia etapa re\u0161taurovania pozostalosti \u013dudov\u00edta Jesensk\u00e9ho, na ktor\u00fa finan\u010dne prispel Fond na podporu umenia, bola \u00faspe\u0161ne ukon\u010den\u00e1. Predmetom tejto etapy bolo re\u0161taurovanie portr\u00e9tu nezn\u00e1meho biskupa. Pozostalos\u0165 bola do zbierkov\u00e9ho fondu Tren\u010dianskeho m\u00fazea z\u00edskan\u00e1 koncom 50. rokov 20. storo\u010dia. \u013d. Jesensk\u00fd p\u00f4sobil v \u010cachticiach, bol hlavn\u00fdm konzulom a zanechal po sebe bohat\u00fa portr\u00e9tnu gal\u00e9riu, najm\u00e4 osobnost\u00ed z regi\u00f3nu stredn\u00e9ho Pova\u017eia. Jesenskovci patrili k najstar\u0161\u00edm \u0161\u013eachtick\u00fdm rodom na \u00fazem\u00ed dne\u0161n\u00e9ho Slovenska. Majetky v \u010cachticiach z\u00edskali pr\u00edbuzensk\u00fdmi vz\u0165ahmi. Po Drugetovcoch z\u00edskali k\u00fariu, ktor\u00e1 v \u010cachticiach stoj\u00ed dodnes a prez\u00fdvaj\u00fa ju \u201eKonzulovec\u201c.<\/p>\n\n\n\n

Portr\u00e9t nezn\u00e1meho biskupa bolo pred re\u0161taurovan\u00edm \u0165a\u017ek\u00e9 datova\u0165, vzh\u013eadom k tomu \u017ee dielo bolo v minulosti dublovan\u00e9 na novom pl\u00e1tne a spredu ma\u013ebu z ve\u013ekej \u010dasti prekr\u00fdvali neskor\u0161ie prema\u013eby, tak\u017ee ani predn\u00e1 ani zadn\u00e1 strana diela nemali autentick\u00fa v\u00fdpovedn\u00fa hodnotu.<\/p>\n\n\n

\n
\"\"
stav diela pred re\u0161taurovan\u00edm pri razantnom bo\u010dnom osvetlen\u00ed<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"
stav diela po re\u0161taurovan\u00ed<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Portr\u00e9t zachyt\u00e1va mu\u017ea stredn\u00e9ho veku oble\u010den\u00e9ho do bielej rochety zdobenej \u010dipkou a\u00a0vrchnej fialovej mozetty. Na hlave m\u00e1 biskupsk\u00fa \u010diapo\u010dku, tzv. solideo. Z\u00a0mozetty sa vyn\u00e1ra mohutn\u00fd pektor\u00e1l vykladan\u00fd zelen\u00fdmi kame\u0148mi. Portr\u00e9tovan\u00fd dr\u017e\u00ed v\u00a0jednej ruke biskupsk\u00fd biret a druhou sa opiera o\u00a0knihu polo\u017een\u00fa na stole. Ved\u013ea knihy s\u00fa polo\u017een\u00e9 strieborn\u00e9 vreckov\u00e9 hodinky s\u00a0retiazkou. \u010c\u00edsla s\u00fa na hodink\u00e1ch v\u00a0arabskej aj r\u00edmskej verzii. Pozadie je tvoren\u00e9 prieh\u013eadom do krajiny, ktor\u00fd ohrani\u010duje na jednej strane \u010das\u0165 kanelovan\u00e9ho st\u013apu, na druhej drap\u00e9ria so strapcom. V\u00a0pozad\u00ed sa tie\u017e nach\u00e1dza kartu\u0161a s erbom – erbov\u00e9 zviera je vt\u00e1k s\u00a0prepichnut\u00fdm krkom stojaci nad korunou. Nad erbom sa nach\u00e1dza biskupsk\u00fd klob\u00fak so \u0161iestimi strapcami na ka\u017edej strane.<\/p>\n\n\n

\n
\"\"
stav diela po\u010das re\u0161taurovania \u2013 polovi\u010dn\u00e9 \u010distenie<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"
stav diela po\u010das re\u0161taurovania – vytmelenie<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Dielo bolo pred re\u0161taurovan\u00edm v zlom technickom stave a zna\u010dn\u00fa \u010das\u0165 p\u00f4vodnej ma\u013eby prekr\u00fdvali sekund\u00e1rne z\u00e1sahy do diela v podobe premalieb. V\u00fdsledky chemicko-technologick\u00e9ho v\u00fdskumu vzoriek odobrat\u00fdch  z inkarn\u00e1tov (tv\u00e1re a ruky), kde sa nach\u00e1dzaj\u00fa prema\u013eby, uv\u00e1dzaj\u00fa vyu\u017eitie menej frekventovanej formy zinkovej bieloby s obsahom sulfidu zino\u010dnat\u00e9ho, charakteristickou pre prema\u013eby. Zinkov\u00e1 bieloba sa za\u010dala pou\u017e\u00edva\u0165 po roku 1852. Pr\u00edtomnos\u0165 syntetick\u00e9ho ultramar\u00ednu a chromoxidovej zelenej napom\u00e1ha datova\u0165 sekund\u00e1rne \u00fapravy najsk\u00f4r do polovice 19. storo\u010dia (resp. po roku 1840 \u2013 pou\u017e\u00edvanie chromoxidu).<\/p>\n\n\n\n

S\u00fa\u010das\u0165ou chemicko-technologick\u00e9ho v\u00fdskumu boli aj neinvaz\u00edvne met\u00f3dy prieskumu diela sn\u00edmkovan\u00edm s vyu\u017eit\u00edm UV-indikovanej fluorescencie (ultrafialov\u00e9 svetlo), infra\u010derven\u00e9ho svetla a r\u00f6ngenu. RTG skiagrafia preuk\u00e1zala in\u00fa kompoz\u00edciu p\u00f4vodnej ma\u013eby tv\u00e1re aj men\u0161ie zmeny v oblasti polohy ruk\u00e1va \u013eavej ruky. Z d\u00f4vodu havarijn\u00e9ho stavu origin\u00e1lnej ma\u013eby tv\u00e1re sa neprist\u00fapilo k jej odkrytiu a ponechala sa prema\u013eba, ktorej vznik sa predpoklad\u00e1 u\u017e v druhej polovici 19. storo\u010dia.<\/p>\n\n\n\n

Po odstr\u00e1nen\u00ed premalieb je mo\u017en\u00e9 dielo datova\u0165 do 18. storo\u010dia.<\/p>\n\n\n

\n
\"\"
dielo po\u010das re\u0161taurovania – priebeh tmelenia, detail<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"
dielo po\u010das re\u0161taurovania – prv\u00e1 f\u00e1za retu\u0161e, vypodlo\u017eenie lok\u00e1lnym t\u00f3nom imituj\u00facim farbu p\u00f4vodn\u00e9ho podkladu, detail<\/em><\/figcaption><\/figure>\n<\/div>\n\n
\n
\"\"
dielo po\u010das re\u0161taurovania – retu\u0161 akvarelov\u00fdmi farbami, detail<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n

Celkov\u00e9 n\u00e1klady na re\u0161taurovanie diela predstavovali 10 313,- Eur a pr\u00e1ce realizovala Mgr. art. Katar\u00edna Urbanov\u00e1, \u010dlenka komory re\u0161taur\u00e1torov. Fond na podporu umenia prispel sumou 5 000,- Eur.<\/p>\n\n\n\n

Tak ako po minul\u00e9 roky, aj t\u00fato etapu si m\u00f4\u017eete pozrie\u0165 na\u017eivo v priestoroch Dra\u0161kovi\u010dovho ka\u0161tie\u013ea v \u010cachticiach.<\/p>\n\n\n

\n
\"\"<\/figure>\n<\/div>\n\n\n

Text: Mgr. Veronika \u010eurejov\u00e1<\/p>\n\n\n\n

Inform\u00e1cie o priebehu a v\u00fdsledkoch re\u0161taurovania predch\u00e1dzaj\u00facich et\u00e1p n\u00e1jdete na blogu Tren\u010dianskeho m\u00fazea.<\/p>\n\n\n\n

Druh\u00e1 etapa (Druh\u00e1 etapa re\u0161taurovanie portr\u00e9tov z pozostalosti \u013dudov\u00edta Jesensk\u00e9ho): https:\/\/www.muzeumtn.sk\/hlavna-stranka\/blog\/druha-etapa-restaurovania-portretov-z-pozostalosti-ludovita-jesenskeho.html?page_id=22897<\/a><\/p>\n\n\n\n

Prv\u00e1 etapa (Re\u0161taurovanie portr\u00e9tov z pozostalosti \u013d. Jesensk\u00e9ho): https:\/\/www.muzeumtn.sk\/hlavna-stranka\/blog\/restaurovanie-portretov-z-pozostalosti-l.-jesenskeho.html?page_id=21444<\/a><\/p>","protected":false},"excerpt":{"rendered":"

\u010eal\u0161ia etapa re\u0161taurovania pozostalosti \u013dudov\u00edta Jesensk\u00e9ho, na ktor\u00fa finan\u010dne prispel Fond na podporu umenia, bola \u00faspe\u0161ne ukon\u010den\u00e1. Predmetom tejto etapy bolo re\u0161taurovanie portr\u00e9tu nezn\u00e1meho biskupa. Pozostalos\u0165 bola do zbierkov\u00e9ho fondu Tren\u010dianskeho m\u00fazea z\u00edskan\u00e1 koncom 50. rokov 20. storo\u010dia. \u013d. Jesensk\u00fd p\u00f4sobil v \u010cachticiach, bol hlavn\u00fdm konzulom a zanechal po sebe bohat\u00fa portr\u00e9tnu gal\u00e9riu, najm\u00e4 osobnost\u00ed z regi\u00f3nu stredn\u00e9ho Pova\u017eia. […]<\/p>\n","protected":false},"author":4,"featured_media":5834,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-5821","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nezaradene"],"yoast_head":"\nRe\u0161taurovanie portr\u00e9tu z pozostalosti \u013dudov\u00edta Jesensk\u00e9ho - Dra\u0161kovi\u010dov ka\u0161tie\u013e<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/draskovicovkastiel.sk\/en\/restaurovanie-portretu-z-pozostalosti-ludovita-jesenskeho\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Re\u0161taurovanie portr\u00e9tu z pozostalosti \u013dudov\u00edta Jesensk\u00e9ho - Dra\u0161kovi\u010dov ka\u0161tie\u013e\" \/>\n<meta property=\"og:description\" content=\"\u010eal\u0161ia etapa re\u0161taurovania pozostalosti \u013dudov\u00edta Jesensk\u00e9ho, na ktor\u00fa finan\u010dne prispel Fond na podporu umenia, bola \u00faspe\u0161ne ukon\u010den\u00e1. Predmetom tejto etapy bolo re\u0161taurovanie portr\u00e9tu nezn\u00e1meho biskupa. Pozostalos\u0165 bola do zbierkov\u00e9ho fondu Tren\u010dianskeho m\u00fazea z\u00edskan\u00e1 koncom 50. rokov 20. storo\u010dia. \u013d. Jesensk\u00fd p\u00f4sobil v \u010cachticiach, bol hlavn\u00fdm konzulom a zanechal po sebe bohat\u00fa portr\u00e9tnu gal\u00e9riu, najm\u00e4 osobnost\u00ed z regi\u00f3nu stredn\u00e9ho Pova\u017eia. 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